Game of thrones mega2/21/2023 ![]() Narcotic addiction, like alcohol, or any other “definer” you might pick as the addiction factor destroying a human being’s life (sex, food, gambling), is a real-life, real-time social issue that can ill afford luxuries like politicisation, criminal intent, rule of law or bail pleas. ![]() (Scriptwriters remember, you heard it here first).Īs the plot unfolds and then folds again on top of all that is believed to have been revealed, only to unfold further – like a kind of never-ending rendition of a pasta dough – the promise of “solved!” “At last!” “Thank God!” “The End”, keeps TRPs buzzing, column centimetres filled and social media hashtags on a never-ending loop of funny punch lines and smarter counter-punch memes.Īmidst all the noise the real issues that the words “narcotics” and “addiction” might allow to surface are likely to be drowned out. Television’s next Game of Thrones can easily be the Aryan Khan drugs’ case. Just write “Game of Thrones”, allow a second or two for the reader’s imagination to sketch it out, and then, deliver what the writer hopes will be the killer blow. Pop cultural references are a writer’s currency saver, allowing the cited reference to save the spending of 200 words on setting the mood, context or visual drama. ![]() ![]() The gold standard for pop-cultural references remains the mega-buster, Game of Thrones. ![]()
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